We tried a new piece of equipment for E this week. It looks very promising but once again the price is high and we will be touring the charities for help if our local services can't fund it.
It got me thinking though about how much disability equipment and adaptations cost. I understand the high development costs for a small market is the main reason for this but I'm often struck that if the price was lower, the market would be bigger as the need to source outside funding for a purchase would be reduced.
These high prices are not sadly restricted to large pieces of equipment and often toys which are lower costs have prices increased by over 100% when adapted for additional needs. So in this time of financial strains for everyone, I thought it worth looking into what we can do ourselves.
We were lucky when E was small, the team who supplied E with her switch technology had a great member who would happily adapt any toy for no cost to use. Noddy was a great favourite and the switch adapted remote control Noddy car was a hit.
A trawl of the internet revealed a number of good resources on how to go about making adaptations to different types of toys, including the following:
Cause and Effect Toys
Battery Operated Toys
and all the necessary equipment can be obtained in Maplin and other similar stores.
You can also buy ready made kits for battery operated switch adaptations here.
If even this is too daunting for you (it is for me) ask around, you may have family or friends who love this kind thing and would be only too happy to help.
If you've adapted any toys yourself, or had adaptations done, I would be really interested to know how you got.
Saturday, 24 August 2013
Monday, 12 August 2013
When I undertook training on inclusive education over 8 years ago, school review meeting were often viewed as horror stories for parents, where they were told about decisions rather than been involved in making them.
Since then, things should have improved and a review of the legislation and code of practice for supporting children’s learning sets a very positive expectation. Getting it right for every child (GIFREC) focuses on creating a common approach across all agencies aiming to deliver appropriate, proportionate and timely help as it is needed. It also looks to take a holistic view involving the young person / family fully both in the assessment and the solution. Enquire have excellent resources, both online and by phone, to help with review meeting and all aspects of additional support needs in education.
To my understanding the focus of these meetings is everyone working together to deliver the right support at the right time. Unfortunately, looking through other blogs, discussion with other parents and even my own experiences, things can still go wrong. I thought it worthwhile to reflect on what makes a review meeting work for me, and what supports me when things don’t go to plan
I’ll be honest and say that I’m quite proactive and assertive in review meetings. I will usually have a list of items that I need covered and will have touched base with the therapists prior to the meeting to ensure that their actions and input is being submitted if they cannot attend. I appreciate this is not for everyone but I do think having key issues written down beforehand helps keep me focused and at times less emotional.
Having someone on your side in a meeting is really important I believe. For me, I know there are a couple of key therapists and the ed psych who understand what the overall outcome we want for E and will work to help achieve that. They can be very helpful in communicating an idea or action in a more technical way than perhaps I can. They also act as an extra pair of ears. Your supporter does not have to be someone within the team, you do have the right to bring an advocate with you.
I strongly believe that a review meeting should contain no surprises. It’s difficult for anyone to come up with ideas, agreements or solutions if they are not aware of a problem beforehand. Obviously the key to this is communication and this does take time to build up from everyone’s perspective.
As E moves up through school, and especially into high school, the people and level of involvement of the people at these meeting will change. I would be really interested to hear your experience of review meetings, positive or otherwise, to help maintain and further improve the effectiveness of such meetings.
Saturday, 3 August 2013
So for those of you living close to Edinburgh you will know that the Festival and Fringe is upon us so I’m taking the opportunity to look at theatre provision.
The policy for tickets in the major theatres appears usually to be wheelchair and companion get tickets at cheapest available price. During the Fringe and Festival, the ticket policy is left to each venue and many will give either a free carer ticket or tickets for everyone at the lowest ticket price.
These are based on our personal experience, if you can add to this please comment either in the post or on the facebook page.
The wheelchair seating in the main auditorium is at the front of the rear seating this gives a clear unobstructed view from a standard child height wheelchair. There is companion seating and other seating in the same row, or the one behind for a larger group. Their space has removable seats at the front so restricted access.
Festival Theatre, Edinburgh.
The wheelchair seating is at the back of the front stalls and is spread across the row, meaning that companion seats are available. We’ve been as a group and had others sitting both beside us and in the row in front which worked well. There is a slightly raised platform which helps with the view but for children in a standard height wheelchair you will still need a boost in seat height. The theatre do not have booster cushion but were able to supply some cushions.
Churchill Theatre, Edinburgh
The wheelchair seating (space for 3) is at the front of the back stalls, in the middle with companion seating at the sides. If you are in a group you may end up slightly separated. The seating is slightly back from the front stalls and right in the middle which really helps to avoid obstructed views. However, one wheelchair space is a bit low for a standard height child wheelchair. Again they do not have a booster cushion but were able to supply blankets.
The Playhouse, Edinburgh
Wheelchair seating is at the back of the grand circle. It is set back from the main seats and this gives a clear unobstructed view from a standard child height wheelchair. A companion seat is available and there is seating in the row behind for larger groups.
New London Theatre, London
The wheelchair seating is at the back of the seating. Access is via the stage door and uses at least one odd shaped lift so is not suitable for all wheelchair sizes. The seating is slightly raised but for children in a standard height wheelchair you will still need a boost in seat height. The theatre have booster cushions available.
Autism Friendly Performances
Thank you to The National Autistic Society Scotland for the details on autism friendly performances available.
Cineworld, Picturehouse and Odeon cinema groups have autism-friendly screenings throughout the UK, as do independents like Eden Court in Inverness, MacRobert Stirling, the Glasgow Film Theatre (GFT) and Glasgow Grosvenor.
Disney’s The Lion King Playhouse Theatre, Edinburgh on 24 November 2013.
The changes being made at this particular performance include modifications to booking process, performance and the theatre environment. The theatre’s foyer will have designated quiet and activity areas, staffed by autism experts throughout the performance should anyone need to leave their seats. There is also an autism-friendly website and booking system has been set up specifically for this performance
Glasgow Giffnock's Eastwood Theatre are currently planning an autism-friendly performance of Children's Edibles by Grinagog Theatre for December 18th. NAS Scotland is currently awaiting further details, but it's expected to be a non-verbal performance for a young audience of up to 25.
Her Majesty's Theatre, Aberdeen are planning a 'relaxed' performance of Cinderella on January 3rd 2014. NAS Scotland has not worked directly with the theatre on this production. For further details please contact the theatre directly.